Still can't get over that Gary Moore track. I love the Comfortably Numb solo (interesting he uses the whammy bar so much for vibrato rather than the left-hand, what's up with that?), but Still Got The Blues hits me at a much deeper level.
Awesome, dude! Great tone, great ideas. There's a really nice confidence to most of the playing - it just sounds really solid. There are a few places where it's clear you're stretching yourself a little, and that confidence and solidity slips somewhat. I'd concentrate on getting those licks nailed too so they're at the same level as the rest.
Awesome stuff Scott! Some of it reminded me a little of the Winter Wind Chopin etude. Rock on!
Guitar Player - be brave, post some stuff. It's all cool. There's a huge variety of experience on this forum, we're not all as good as Scott and Ursin :).
Damon - I've been thinking some about what you said about slow bends, and I'm not sure I agree at all. When I bring to my mind some of my favorite bends in guitar solos, more often than not they're slow and dramatic bends. Very musical in my opinion. This not one of my favorite songs by any means, but a great example of what I'm saying.
Screw it - once again I can't post links. I'm referring to The Sky Is Crying by Stevie Ray Vaughn.
Believe it or not, I am using the neck pickup there (I actually much prefer that tone). Maybe I need to dial back the treble on the amp, or switch off the 'bright' switch.
There's a *lot* of gain, but I'm damping quite a bit to try and keep the string noise under control - maybe that's what you're hearing. The end note I fluff as often as not - a full 12-fret slide at that speed is still quite challenging for me, so often I'm not hitting it cleanly.
But thanks for listening and thanks once again for the great advice!
Yep, I was pretty disappointed with the comping: poor timing and zero feel. Definitely something to work on. I've been spending too much time on single-note stuff and no time on playing chords. (My friend jokingly described chords as 'the things someone else in the band plays while you do your solos'.)
Yep, I totally hear what you're saying about the ideas, too. Definitely something to work on.
Again, thanks for the compliments and the criticisms - very much appreciated!
Thanks Ursin. I agree about bending being so important. If I had a choice between mastering that and mastering playing quickly, there's no question in my mind.
Here's another one folks. I took the chords for Parisienne Walkways (more or less, not entirely sure about that Bm I put in there), played them with a bit of a Latin feel, then improvised over the top:
Nick - a little physics knowledge is a dangerous thing. The important force in bending is the force you apply to counter the increased tension in the string, not the force you apply to initially bend the string.
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