.....someone have read what i have wrote?lol pay attention when u read and u ll clearly find that i've said that "I m not a sound engineer"Pay attention.And If u want to come to in Italy to visit there s no problem for me.My mom left earth long time ago.
Signor Pebber Brown I really want to say that I have enjoied a lot and still wait with passion for the next videos that ll come .
And to continue to learn from U I can say there s no need to post anymore on this forum.I ll just follow ur videos and read the various thread. I was planning to send some videos of my playing but someone here make me change my mind.I don t need to prove nothing especially to Adam.I have seen ur videos....where U say "i wanna people to critique me so I can improve"Well thats my critique looking and listening ur video i can tell that U have to improve a lot.But i hope U know.Now since U ask peoples to tell if u suck so u can improve don t argue with me if i say U suck. Or just don t tell people to critique
As Pebber Brown said "....because peoples don t really know how much they suck"
The plot for the comedy was really interesting maybe U can do better as a Tv show writer.
Thanks for ur incredible massive amount of information that U share to the world Signor Pebber Brown .The discussions happened here won t make me change my mind that following ur ideas and ur teaching can only make me a better and happy player.
Thanks a lot again
P.s. Signor Brown wuold u please remove my account on this forum?Since even U say "could it be none other than the worlds greatest self proclaimed guitarist/catbox neglecter?????"i don t think i ll have any good time here:U guys don t even know me and i ve just became a joke.Im not the greatest world self proclaimed guitarist....sorry to ear this

To my ear MP3 sound shit.That s all I can tell by myself.And if i look some stupid graphs is just to reinforce my theory ..Theres no way to say that mp3 sound better than wav.I think U have to listen more carefully .
My personal idea that s all.I notice a really big difference when I listen music and when i listen what i record on my stereo.And i don t mean two near field monitor.I mean an valve amplfier- 2 home made 3 way speaker box.Regarding headphones ....i never listen nothing with them nor I use them to listen backing track when i record guitar.I think they are good just to fuck my ears.




Again ..... Its my personal idea.U are asking if someone can really notice the difference.
YES I DO

Steve Hillage also used to do a lot of odd times solos with Gong and Solo also.Listen Fish rising ,L,Live in germany 77 and have some fun.A really underrated guitarist for me.Today he s doing lots of psychedelic trance music with miquette giraud.Google some to hear if interested.
HAve fun

Signor Brown.....I'm so sorry .Just wanted to give some basic ideas to make a little modal vamp .I don t want to sound like a teacher.I'm surely not the right one.Maybe I ve misunderstood the rules of this forum.Sorry again.I didn t go that much deeper in the theory of what I ve said.Just a quick presentation and the basic ways to create a vamp thats all.No need to make me feel like a cunt.
Going to think I've started with the wrong feet in here.

If u want to make a backtrack with 2 or 3 chords to play modal I can give u some info.
Hope to be clear.Thats what I know:

1 To find wich chords are good to create a modal progression u must learn how to harmonize a scale.
Example:To play in G phrigyan write down the note belonging to G scale wich are G-Ab-Bb-C-D-Eb-F.
2 Harmonize the scale in chords with 3 or 4 notes.U are going to create a triad from each note in the scale of G that will give u 7chords
based on Root-3rd-5th-7th.
3 From G prygian U got:1st chord 1 3 5 7 Gmin7
G-Ab-Bb-C-D-Eb-F

1 3 5 7 AbMaj7
2nd chord G-Ab-Bb-C-D-Eb-F-G

1 3 5 7 Bb7
3rd chord G-Ab-Bb-C-D-Eb-F-G-Ab

and so on till u have all 7 chords wich will be Gm7-AbM7-Bb7-Cm7-Dm7b5-EbM7-Fm7.
Now U can take this chords to make a prygian progression but keep in mind that Any mode have some chords that fits better.
A G prygian progression could be Gm7-Bb7-Cm7-AbM7 or u can use a G as bass note and then the chord.Ex: Gm-AbM7/G.

I hope U don t get confused cauz some theory here is required to understand what I ve said (If i'm saying bullshit someone here will correct me i hope cauz I never finish to learn).Since I ve been doing some backingtrack to practice the modes i can share some info.Here s what I know.

IONIAN IN E
I-ii-iii-IV-V-vi-vii°
E-F#m-g#m-A-B-C#mD#m°

The chords that will give U the most Ionian mood are :
Root: Emaj7
Perfect 4th:Amaj7
Perfect 5th B7

DORIAN IN E

Em-F#m-G-A-Bm-C#°-D
Root:Emadd6 or Em6
Natural 2nd:F#m7
Perfect 4th:A7

Prygian IN E

Em-F-G-Am-B°-C-Dm
Root :Em7
Flat 2nd :FM7


Lydian in E

E-F#-G#m-A#°-B-C#m-D@m

Root:EM7
Natural 2nd:F#7
perfect 5th:BM7

Mixolidian in E

E-F#m-G#°-A-Bm-C#m-D

Root :E7
Min7th :D

Aeolian in E

Em-F#m-G-Am-Bm-C-D-

Root:Em
Perf 4th:Am6
Perf 5th:Bm

Locrian in E

E°-F-Gm-Am-Bb-C-Dm

Root:E°7------Em7b5.



U can use this to find the most used chords in modal vamps in each mode:

Ionian: IMaj7 - IVMaj7 - V7
Dorian: i6 - ii7 - IV7
Phrygian: i - bIIMaj7
Lydian: I - II7 - VMaj7
Mixolydian: I7 - bVII
Aeolian: i - iv(6) - v
Locrian: i°


This are for what I ve learned the most common progression that will give a modal sound.Hope I ve been clear and more than all I hope that what I ve said is right.
If possible i can give u some link where u can learn something related modes and some theory on how to harmonize scales in order to make ur modal progression(until Pebber will explain modes)If Pebber tell me he 's ok .I want to make clear a thing.This is my 2nd post here.I don t want to sound like a teacher.Im just sharing what i know.Good luck m8

Hello plps I'm new here and this is my first post.I m following Pebber from 7 months now and finally signed for this forum:I ve seen Ur video and Ive found it very interesting:Ive benn working on it all the day and finally i got the fingering U use on the first simmetric scale on video.But I can t actually apply this tecnique to all my other patterns and scales.I would relly appreciate If U can explain me how to apply this to other scales.Probably a slower video can help me a lot to understand better.Anyway ....any way U can help me will be very appreciate.Really nice indian sounding:Im also a fan of Shakti and I can say it sound closer to that mood.Nice work man