Yea i missed that, but yes you dont want to be sliding up the strings (they sound pretty new ) but lifting when moving to new position. There is always gonna be a bit of string noise, but we want to try and eliminate all we can for a smooth transition.
There are a lot of songs where they purposely leave string noise in. So sometimes it works.
Hi n7fv. timing looks ok to me and picking looks ok you could always curl that right hand in a little. can see plenty of movement in the thumb.
I like the way when you hit the B string the top of the thumb pops over the top to say hello lol. maybe something to take a look at good video though.
If you are signed up for lessons maybe a good idea to send the video link direct to Pebbers student email address for a quick response. you will always get feedback here as well though so keep em coming.
Oh also slow is the way to start you want to be able to think of every little nuance as you play, like finger placement keeping fingers curled in, finger pressure, timings, then as you speed up, those things will stay with you. Remember playing fast is playing slow accurately, just sped up .
Timing seemed ok up to nines i would slow that metronome down a little for the tens,
And also it may be just me, but the angle of your pick looks really wrong, looks very vertical which gives a terrible tone. for scalpel picking you want to be around 45 degree from horizontal with the strings.
But then i've seen a lot of different angles for picking but thats just the way Pebber teaches.
N7fv. you need to keep the speed to where you are comfortable. Its all about training your fingers and brain to do the right things slowly over and over and over (boring huh) only pushing the speed every now and again. if your getting things wrong you always want to slow down as you will be training your fingers to get it wrong.
Farelli was it those spiders that did your hand in, you can still get some right hand practice in buddy
If you really want to just get your technique up to speed, i would just stick with module one and two. maybe a little scale practice too. And of course always leave a little time for song practice too.
you may not be seeing a lot of progress as you are spreading yourself to thin. To be fair ten minutes on each exercise a day aint gonna get you to guthrie's level.
If you have 1 hour 30 minutes, try 30 mins on right hand, 30 mins left 15 mins on scales 15 mins song practice you need to stick to one thing for a long while to get really good at it.
But you have found the right place here to sort your technique out
Yea i find if i become fatigued in one position i can move to another and push it a little more, Gonna try what Adam has mentioned going down and up and move up a fret.
I do a similar thing with jazz style spiders i start on the sixth (thick) string to first and then back, start at the ninth fret all the way to the first fret and back, pretty much going through all the finger permutations 1234,1243,1324,1342,1423,1432, etc. all fingers must always be touching the strings. maybe overkill but i love this shit.
Please call me Darryn, Deltadiscos was what i signed up with as was running a disco at the time :)
Looking good have you done these before and running over them again, or is this the first time doing them. It takes time for those muscles and neurons in the brain to connect. I feel its good idea to try these in different positions on the neck also, seems to work those different little tendons. A day rest off from these can also work wonders, gives the hand time to reset. (not too much rest though).
You should be able to play without any thumb pressure, The thumb is there as a guide really. you should be touching the strings onto the frets not pushing them down. Theres a great video of Pebber playing live where he removes the thumb from the back of the guitar and plays like this. He also does it in a speed video on youtube. i guess this would come after a lot of strength training, why not give it a try.
I think what your doing sounds ok, do you feel your progressing and getting better if so that's fine. If you want you could all ways split things over a couple of days to spend more time on one exercise.
Nice video all looks good to me. Its all about freeing up the hand, you just have to keep working at it, its amazing how hard these were even after 20 years of playing. keep up the good work. Need to get back on these myself.
Quote: deltadaz wrote in post #8I like the Matt Warnock site, is full of usefull info. youtubers i watch. robert baker, guitarlessons365, ben levin, ben eller, creative guitarstudio, music is win, steve terreberry(for the humour)
We are so spoilt with these days with youtube, I sort of miss struggling with the one chord book, and a old theatre song book, and an amp made from and old tube radio.
Hi deltadaz, and Welcome to the Forum!! You listed some really good ones there, especially Stevie T --- THAT dude is not only absolutely hilarious, but he can SHRED like nobody's business!!
,,,and YES, I long for the days when I used to sit with my copies of Guitar For The Practicing Musician (anyone remember THAT mag? It was way better than Guitar World, back in the day), my Sony Walkman (we're talking mid-80's), my Epiphone V (similar to the Randy Rhoads style), and my Peavey solid state micro amp (SCREEEEEEECHING FEEDBACK FOR DAYS)!!! Oh yeah,,,GOOD TIMES, indeed!!
Not sure what happened there, looks like i managed to log in, on an old account i never used. but thanks for the welcome Adam.
Also forgot to mention Troy Grady on youtube goes in depth on pick slanting worth a watch. And also of course Pebbers own videos, although i no longer have to visit youtube to view them as i have them all on my hard drive, organised into folders.
great video moonman maybe just slow the metronome down to start with, will make those 32nd notes easier when you get to em. you want to get your upstrokes sounding like your down strokes so maybe work on those alone too. keep working at it though mate nice job, keep us updated.
Just take it one step at a time. put most yer energy into modules 1&2 for a start. spend a lot of time on those really get an exercise down before you move on to the next. Then start bringing in module 3 with 5 position major, minor, harmonic, melodic, pentatonic, and arppegios. then you be well on yer way.